Exploring atmosphere, rhythm, and cinematic stillness across global cities.

I photograph cities the way they feel in passing — layered, reflective, and always in motion. I’m drawn to the quiet spaces between movement: the rhythm of a blinking traffic light, a warped reflection in glass, the way late light falls across concrete.

My work is built on attention — not to spectacle, but to fragments. A neon sign through a moving cab, a market’s geometry, a street corner half in shadow. These are the details that carry weight. They don’t explain the city. They suggest it.

Whether I’m walking through New York at night or tracing textures in Oaxaca, I shoot without an agenda. I respond to light, structure, chance — whatever shifts the mood of a place. I’m not looking for the cleanest frame. I’m looking for the one that lingers.

I follow patterns — of architecture, of repetition — but I’m more interested in when those patterns break. A sudden curve in a reflection, a flicker of motion, a gesture that cuts through the noise. The city becomes something else in those moments. Less defined. More alive.

My images are about atmosphere, not answers. They hold stillness, but they aren’t still. They aim to carry a mood — something felt more than explained.